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The Wiley Handbook of Genius |
3 |
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Contents |
7 |
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List of Contributors |
11 |
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Preface |
19 |
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Part I Perspectives |
25 |
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1 The Genius in History: Historiographic Explorations |
27 |
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The Relationship between History and Genius |
27 |
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History and the Psychology of Genius |
29 |
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The Psychology of Genius: Theory Across History |
32 |
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The creative genius |
32 |
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The mad genius |
32 |
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The intelligent genius |
33 |
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The eminent genius |
33 |
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The Psychology of Genius: Historical Methods |
34 |
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Quantitative approaches |
34 |
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Qualitative approaches |
36 |
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The Genius in History |
37 |
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Notes |
39 |
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References |
40 |
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2 The Psychobiography of Genius |
44 |
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Introduction |
44 |
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George W. Bush |
47 |
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John Lennon |
50 |
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Truman Capote |
52 |
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Implicit Prescriptions |
54 |
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References |
55 |
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3 Interviewing Highly Eminent Creators |
57 |
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Why Interview Eminent Creators? |
58 |
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Interview Research on Eminent Creators and Its Place in the Study of Creativity |
61 |
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Major Interview Studies of Eminent Creativity |
65 |
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Anne Roe: the making of a scientist (and artist) |
65 |
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Bernice Eiduson: The Scientist Project |
70 |
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The Institute of Personality Assessment and Research: highly creative persons |
70 |
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Harriet Zuckerman: scientific elite – Nobel laureates in the United States |
71 |
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Albert Rothenberg: studies in the creative process |
72 |
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Vera John-Steiner: Notebooks of the Mind |
72 |
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Nancy Andreasen: creativity and mental illness |
73 |
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Mihaly Csikszentmihalyi: Creativity in Later Life Study |
73 |
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Vera John-Steiner: creative collaborations |
74 |
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Other Interview Research on Creativity |
75 |
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Best Practices for Interviewing Eminent Creators |
76 |
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Before getting started |
77 |
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Sampling |
77 |
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Recruitment |
77 |
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Getting ready for the interview |
78 |
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During the interview |
79 |
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After the interview |
80 |
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Conclusion |
81 |
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Acknowledgments |
81 |
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References |
82 |
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4 Psychometric Studies of Scientific Talent and Eminence |
86 |
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Scientific Talent and Eminence Defined |
86 |
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Psychometric Investigations of Scientific Talent and Eminence |
88 |
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Behavioral genetic studies |
89 |
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Developmental studies of scientific talent and eminence |
90 |
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Cognitive studies of scientific talent |
93 |
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Personality studies of scientific interest, talent, and eminence |
96 |
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Social–cultural studies of scientific talent |
99 |
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Summary and Future Directions |
101 |
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References |
102 |
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5 Historiometric Studies of Genius |
111 |
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Introduction |
111 |
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Illustrations |
113 |
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Developmental studies of genius |
113 |
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Differential studies of genius |
115 |
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Cognitive studies of genius |
119 |
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Sociocultural studies of genius |
120 |
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Conclusion |
123 |
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References |
124 |
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Part II Processes |
131 |
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6 The Neuroscience of Creative Genius |
133 |
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What Is Neuroscience? |
133 |
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What Tools from Neuroscience Can Be Used to Study Creativity? |
133 |
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What Is Creative Genius? |
136 |
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How Should a Neuroscientist Identify Subjects for Study? |
138 |
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What Kinds of Tasks Can Be Used to Assess Creativity Using Neuroimaging Tools? |
138 |
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What Have We Learned from Our Work So Far? |
141 |
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Conclusions |
142 |
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References |
142 |
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7 Artistic Genius and Creative Cognition |
144 |
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Introduction |
144 |
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Hypotheses |
145 |
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Visual Arts |
147 |
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Painting |
147 |
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Architecture |
149 |
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Literary Arts |
151 |
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Novels |
151 |
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Poetry |
153 |
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Philosophy |
154 |
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Musical Arts |
156 |
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Music |
156 |
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Dance |
157 |
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Comparisons |
159 |
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Conclusion |
160 |
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Acknowledgments |
160 |
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References |
161 |
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8 Case Studies of Genius: Ordinary Thinking, Extraordinary Outcomes |
163 |
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Extraordinary Thinking As the Basis for Genius-Level Creativity |
164 |
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Associative hierarchies and creativity |
164 |
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Genius-Level Creativity As the Expression of Ordinary Thought Processes |
165 |
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Components of ordinary thinking |
165 |
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Continuity with the Past in Creative Thinking |
166 |
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Learning to be creative |
166 |
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Learning to be creative: conclusions |
168 |
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Continuity with the past in creative thinking: antecedents to creative advances |
168 |
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Continuity with the past in creative thinking: incremental advances |
171 |
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Continuity in genius-level creativity: conclusions |
172 |
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Structure in the Creative Process |
172 |
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Structured thought in Picasso’s development of Guernica |
173 |
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Antecedents to the structure of Guernica |
175 |
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The psychological links between Minotauromachy and Guernica |
175 |
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Structure in creative thinking: conclusions |
176 |
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Cognitive Components of Creative Thinking: Edison’s Invention of the Light Bulb |
176 |
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Critical analysis and discontinuity in thinking |
178 |
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Cognitive processes in creative thinking: conclusions |
178 |
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External Triggers to Creativity |
179 |
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Calder’s mobiles |
179 |
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External triggers in science |
180 |
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Innovation and external events: conclusions |
180 |
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The Ordinary Basis for Creative Thinking: Conclusions and Several Remaining Questions |
181 |
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Implications of the present results for Mednick’s hierarchies |
181 |
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Questions about expertise as the basis for creativity and genius |
183 |
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A Final Question: What Then Is the Basis for Genius? |
185 |
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References |
187 |
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9 Virtual Genius |
190 |
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Introduction |
190 |
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Background |
190 |
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Definition |
191 |
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Human Examples of Genius |
192 |
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Computer Examples of Genius |
200 |
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More Possibilities |
203 |
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Conclusions |
205 |
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References |
206 |
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Part III Attributes |
207 |
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10 Varieties of Genius |
209 |
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Types of Genius |
210 |
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Creative genius |
210 |
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Genius of analytical intelligence |
215 |
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Genius of practical intelligence |
216 |
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Wisdom-based genius |
217 |
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Conclusions |
221 |
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References |
221 |
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11 Cognitive Disinhibition, Creativity, and Psychopathology |
222 |
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Creativity and Creative Genius |
223 |
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Cognitive Disinhibition |
224 |
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Creativity and Mental Disorders Associated with Disinhibition |
226 |
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Creativity and psychosis proneness |
226 |
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Creativity and mood disorders |
228 |
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Creativity and alcohol abuse |
230 |
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The Shared Vulnerability Model of Creativity and Psychopathology |
231 |
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Cognitive disinhibition as a shared vulnerability factor |
233 |
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High IQ as a protective factor |
235 |
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Additional shared vulnerability factors |
237 |
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Additional cognitive protective factors |
238 |
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Conclusions |
239 |
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References |
240 |
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12 Openness to Experience |
246 |
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Openness and Personality Structure |
247 |
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Properties of Openness |
248 |
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Observability |
248 |
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Universality |
248 |
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Stability and developmental course |
249 |
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Heritability |
250 |
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Conceptualizing Openness |
251 |
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Case Studies of Personality and Genius |
255 |
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A mathematical genius |
257 |
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A musical genius |
258 |
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Conclusion |
261 |
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Acknowledgments |
262 |
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Notes |
262 |
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References |
263 |
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13 Political and Military Geniuses: Psychological Profiles and Responses to Stress |
268 |
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Measuring the Quality of Political and Military Leadership |
268 |
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Subject Selection in this Chapter |
269 |
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Measurement at a Distance |
270 |
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Methodology of the Current Chapter |
271 |
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Hypotheses of the Current Study |
275 |
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Method |
276 |
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Selection and scoring of texts |
276 |
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Subjects |
276 |
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Biographies |
276 |
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Political |
276 |
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Military |
279 |
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Both |
281 |
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Results |
283 |
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IC |
284 |
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MI |
284 |
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Discussion |
285 |
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Caveat |
285 |
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TCA findings |
285 |
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Biographical notes |
287 |
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Acknowledgments |
288 |
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Notes |
288 |
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References |
289 |
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Part IV Origins |
291 |
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14 Genetics of Intellectual and Personality Traits Associated with Creative Genius: Could Geniuses Be Cosmobian Dragon Kings? |
293 |
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Classical Quantitative Genetic Models in Humans |
294 |
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Intelligence |
296 |
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Genetic and Environmental Influences on Intelligence |
298 |
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Personality and Psychopathology |
299 |
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Genetic and Environmental Influences on Personality and Psychopatholgy |
301 |
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Genetic Influences on Miscellaneous Traits Relevant to Creative Genius |
302 |
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Specific measures of creative personality |
302 |
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Psychological interests |
303 |
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The Barron–Welsh Art Scale |
303 |
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Molecular Genetics and Genius |
303 |
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Emergenesis |
304 |
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Autism |
305 |
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An Aside on Distributions |
306 |
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The not-so-normal normal curve |
306 |
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Lotka-like distributions |
306 |
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Are Geniuses Black Swans, Dragon-Kings, or Hopeful Monsters? |
307 |
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Black swans |
307 |
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Dragon-kings |
307 |
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Hopeful monsters |
308 |
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The Relevance of Dragon-Kings and Hopeful Monsters to Our Understanding of the Emergence of Creative Genius |
310 |
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Geniuses as statistical dragon-kings |
310 |
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Geniuses as hopeful monsters |
310 |
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Geniuses as dragon-kings emerging through cosmobia? |
312 |
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Note |
313 |
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References |
313 |
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15 Child Prodigies and Adult Genius: A Weak Link |
321 |
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Globally Gifted Children |
322 |
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Unevenly Gifted Children |
324 |
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What Does Giftedness in Visual Art and Music Look Like? |
325 |
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Giftedness in drawing |
325 |
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Giftedness in music |
330 |
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Interest in musical sounds |
330 |
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Musical memory |
330 |
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Perfect pitch |
331 |
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Sight-reading |
331 |
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Musical generativity: ability to transpose, improvise, and compose |
331 |
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How Much is Innate? |
332 |
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The Role of Families |
333 |
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The Social and Emotional Lives of Gifted Children |
335 |
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Implications for Education and Child Rearing |
336 |
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Childhood Giftedness and Adult Giftedness: No Straight Trajectory |
337 |
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References |
339 |
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16 Creative Genius: A View from the Expert-Performance Approach |
345 |
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The Traditional View of the Nature of Talent and Creative Genius |
347 |
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A Review of the Expert-Performance Approach |
349 |
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Representative tasks: capture of reproducibly superior expert performance |
350 |
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Analyzing the mechanisms mediating the superior performance |
352 |
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Toward detailed accounts of the development of mechanisms mediating expert performance |
352 |
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Developmental stages of expert performance and pre-existing knowledge |
355 |
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Proposed limits for accounts based on the expert-performance approach |
356 |
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Toward an Expert-Performance Account of Creative Contributions |
359 |
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Developmental trajectories for individuals making creative contributions in science and arts |
359 |
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Capturing the process of generating a particular creative product |
361 |
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Genius and the motivation and drive for sustained focused activity |
365 |
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Concluding Remarks |
366 |
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Acknowledgments |
367 |
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References |
367 |
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17 Cognitive Processes and Development of Chess Genius: An Integrative Approach |
374 |
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Introduction |
374 |
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Previous Attempts to Explain the Existence of Remarkable Achievements in Young Chess Players |
375 |
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Deliberate practice |
375 |
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Criticisms of the deliberate practice framework |
376 |
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Alternatives to deliberate practice |
377 |
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In Search of a New Model of the Development of Chess Expertise |
379 |
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Cognitive Processes Underlying Chess Expertise |
380 |
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Template theory |
380 |
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SEARCH model |
381 |
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PPP and two simpler models |
381 |
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Mathematical Simulation |
385 |
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Variables |
386 |
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Results |
388 |
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Summary of results |
394 |
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Conclusions and Future Research |
395 |
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Notes |
396 |
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References |
396 |
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18 Diversifying Experiences in the Development of Genius and their Impact on Creative Cognition |
399 |
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Correlational Research |
401 |
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Historiometric research |
401 |
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Psychometric research |
408 |
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Experimental Research |
411 |
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Group creativity |
411 |
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Individual creativity |
412 |
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Conclusion and Future Directions |
413 |
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References |
414 |
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Part V Trajectories |
419 |
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19 The Study of Mathematically Precocious Youth at Maturity: Insights into Elements of Genius |
421 |
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The Study of Mathematically Precocious Youth |
422 |
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Conceptualizing Talent Development |
422 |
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Cognitive Abilities |
424 |
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Interests |
431 |
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Constellations of attributes |
433 |
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Conation |
435 |
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Emergence of Genius |
436 |
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Concluding Thoughts |
439 |
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Acknowledgments |
440 |
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Notes |
440 |
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References |
440 |
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20 Age and Scientific Genius |
446 |
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Introduction |
446 |
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Basic Life-Cycle Patterns and Classic Views |
448 |
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The early life cycle |
454 |
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The middle and late life cycle |
455 |
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Cross-field comparisons |
456 |
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The New Literature: Variation over Time and Across Individuals |
457 |
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Variation over time |
457 |
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Variation across individuals |
461 |
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Field differences reconsidered |
465 |
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Discussion |
466 |
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Scientific and technological progress |
466 |
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Demographics |
468 |
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Science institutions |
469 |
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New research directions |
470 |
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Conclusion |
470 |
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Acknowledgments |
471 |
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Notes |
471 |
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References |
472 |
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21 Musical Creativity over the Lifespan |
475 |
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Introduction |
475 |
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Characterizations of Genius |
476 |
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A Qualitative Sketch of Musical Creativity over the Lifespan |
477 |
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Formative years |
477 |
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Compositional maturity |
478 |
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Late periods |
479 |
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Methodological Issues |
480 |
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Theoretical Perspectives on Lifespan Creativity |
481 |
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Empirical facts |
481 |
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Expertise acquisition |
482 |
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Blind variation and selective retention |
482 |
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Limitations of nomothetic models |
483 |
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Moving away from nomothetic explanations: a typological approach |
485 |
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Melodic originality as a lifespan variable |
487 |
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Some Unresolved Issues and Future Directions |
488 |
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The nature of eminence |
488 |
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The individual within the tradition and the fate of traditions |
490 |
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Conclusion: Wisdom Revisited |
491 |
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Notes |
492 |
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References |
492 |
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22 Literary Geniuses: Their Life, Work, and Death |
497 |
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The Study of Creative Writers |
498 |
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What Constitutes Literary Genius? |
499 |
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Career Trajectories |
500 |
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The Writer’s Personality, Flow, and Emotions |
501 |
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Flow |
502 |
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Emotions |
503 |
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The Dark Side of Literary Genius |
503 |
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Drug and alcohol use |
505 |
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Writers and Death |
505 |
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Conclusions |
506 |
|
|
References |
507 |
|
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23 Lifetime Biopsychosocial Trajectories of the Terman Gifted Children: Health, Well-Being, and Longevity |
512 |
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Early Characteristics |
513 |
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Lifelong Pathways |
514 |
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Intelligence and School Performance: An Early Life Advantage? |
515 |
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Career success |
516 |
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Social skills, social support, and marriage |
517 |
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Mental adjustment and stressful life events |
521 |
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Personality |
523 |
|
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Retirement, health, and longevity |
525 |
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Conclusion: Lifelong Cumulative and Interactional Continuity |
526 |
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References |
528 |
|
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Part VI Contexts |
533 |
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24 Evaluating Excellence in the Arts |
535 |
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Canons |
537 |
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One or several canons |
539 |
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Canons and ideology |
540 |
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Open and closed canons |
540 |
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Formation of a canon: How do artists (or works) attain canonical status? |
541 |
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Stability of the canon |
545 |
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Circles of a canon |
545 |
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Canons in practice |
546 |
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Rankings |
547 |
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Aggregating ratings or rankings produced by a jury |
548 |
|
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Aggregating ratings of properties |
549 |
|
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Aggregating ratings or rankings of properties produced by a jury |
552 |
|
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Special cases |
552 |
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Conclusions |
552 |
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|
Notes |
553 |
|
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References |
553 |
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25 The Systems Model of Creativity and Its Applications |
557 |
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A Brief History of the Concept of Creativity |
557 |
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Early stages |
557 |
|
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Creativity as a topic in psychology |
559 |
|
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Systems Model of Creativity |
561 |
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Systems Model of Creativity: Some Research Applications |
565 |
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Systems Model and Construction of Positive Psychology |
565 |
|
|
References |
568 |
|
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26 Openness to Scientific Innovation |
570 |
|
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Introduction |
570 |
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Planck’s Principle: Age and Receptivity |
571 |
|
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A Meta-Analytic Approach to Scientific Innovation |
573 |
|
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Heterogeneity of Effects |
577 |
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Initiators of Scientific Innovations |
580 |
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Conclusion |
583 |
|
|
Notes |
583 |
|
|
References |
584 |
|
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27 Prominent Modern Artists: Determinants of Creativity |
588 |
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Introduction |
588 |
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Dataset |
589 |
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Framework of Econometric Analysis |
590 |
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|
Location Matters: Peer Effects in the Artistic Clusters of Paris and New York |
591 |
|
|
Artistic Styles and Implications for Creativity |
597 |
|
|
Travel as an Inspiration |
600 |
|
|
Democracy and Creativity |
603 |
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Conclusion |
606 |
|
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Notes |
606 |
|
|
References |
607 |
|
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28 Genius in World Civilization |
610 |
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Introduction |
610 |
|
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The Meta-Inventions |
610 |
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Temporal and Geographic Distribution of Significant Figures and Events from 800 BCE to 1900 |
616 |
|
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Temporal distribution |
617 |
|
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Geographic distribution |
619 |
|
|
Are the inventories Eurocentric? |
621 |
|
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Testing for Eurocentrism in the STMM inventory |
624 |
|
|
Conclusion |
627 |
|
|
Notes |
628 |
|
|
References |
631 |
|
|
Part VII Prospects |
633 |
|
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29 Does Genius Science Have a Future History? |
635 |
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Will Empirical and Theoretical Research Continue to Advance? |
635 |
|
|
Issues still pending resolution |
636 |
|
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Methods still needing full exploitation |
636 |
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Theories still requiring complete development |
637 |
|
|
Will the Phenomenon of Genius Continue to Exist? |
638 |
|
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Will the Science of Genius Ensure the Continued Existence of Genius? |
639 |
|
|
References |
640 |
|
|
Appendix |
643 |
|
|
Index |
653 |
|
|
Supplemental Images |
675 |
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