Hilfe Warenkorb Konto Anmelden
 
 
   Schnellsuche   
     zur Expertensuche                      
The Wiley Handbook of Genius
  Großes Bild
 
The Wiley Handbook of Genius
von: Dean Keith Simonton
Wiley-Blackwell, 2014
ISBN: 9781118367353
677 Seiten, Download: 11948 KB
 
Format:  PDF
geeignet für: Apple iPad, Android Tablet PC's Online-Lesen PC, MAC, Laptop

Typ: A (einfacher Zugriff)

 

 
eBook anfordern
Inhaltsverzeichnis

  The Wiley Handbook of Genius 3  
  Contents 7  
  List of Contributors 11  
  Preface 19  
  Part I Perspectives 25  
     1 The Genius in History: Historiographic Explorations 27  
        The Relationship between History and Genius 27  
        History and the Psychology of Genius 29  
        The Psychology of Genius: Theory Across History 32  
           The creative genius 32  
           The mad genius 32  
           The intelligent genius 33  
           The eminent genius 33  
        The Psychology of Genius: Historical Methods 34  
           Quantitative approaches 34  
           Qualitative approaches 36  
        The Genius in History 37  
        Notes 39  
        References 40  
     2 The Psychobiography of Genius 44  
        Introduction 44  
        George W. Bush 47  
        John Lennon 50  
        Truman Capote 52  
        Implicit Prescriptions 54  
        References 55  
     3 Interviewing Highly Eminent Creators 57  
        Why Interview Eminent Creators? 58  
        Interview Research on Eminent Creators and Its Place in the Study of Creativity 61  
        Major Interview Studies of Eminent Creativity 65  
           Anne Roe: the making of a scientist (and artist) 65  
           Bernice Eiduson: The Scientist Project 70  
           The Institute of Personality Assessment and Research: highly creative persons 70  
           Harriet Zuckerman: scientific elite – Nobel laureates in the United States 71  
           Albert Rothenberg: studies in the creative process 72  
           Vera John-Steiner: Notebooks of the Mind 72  
           Nancy Andreasen: creativity and mental illness 73  
           Mihaly Csikszentmihalyi: Creativity in Later Life Study 73  
           Vera John-Steiner: creative collaborations 74  
        Other Interview Research on Creativity 75  
        Best Practices for Interviewing Eminent Creators 76  
           Before getting started 77  
           Sampling 77  
           Recruitment 77  
           Getting ready for the interview 78  
           During the interview 79  
           After the interview 80  
        Conclusion 81  
        Acknowledgments 81  
        References 82  
     4 Psychometric Studies of Scientific Talent and Eminence 86  
        Scientific Talent and Eminence Defined 86  
        Psychometric Investigations of Scientific Talent and Eminence 88  
           Behavioral genetic studies 89  
           Developmental studies of scientific talent and eminence 90  
           Cognitive studies of scientific talent 93  
           Personality studies of scientific interest, talent, and eminence 96  
           Social–cultural studies of scientific talent 99  
        Summary and Future Directions 101  
        References 102  
     5 Historiometric Studies of Genius 111  
        Introduction 111  
        Illustrations 113  
           Developmental studies of genius 113  
           Differential studies of genius 115  
           Cognitive studies of genius 119  
           Sociocultural studies of genius 120  
        Conclusion 123  
        References 124  
  Part II Processes 131  
     6 The Neuroscience of Creative Genius 133  
        What Is Neuroscience? 133  
        What Tools from Neuroscience Can Be Used to Study Creativity? 133  
        What Is Creative Genius? 136  
        How Should a Neuroscientist Identify Subjects for Study? 138  
        What Kinds of Tasks Can Be Used to Assess Creativity Using Neuroimaging Tools? 138  
        What Have We Learned from Our Work So Far? 141  
        Conclusions 142  
        References 142  
     7 Artistic Genius and Creative Cognition 144  
        Introduction 144  
        Hypotheses 145  
        Visual Arts 147  
           Painting 147  
           Architecture 149  
        Literary Arts 151  
           Novels 151  
           Poetry 153  
           Philosophy 154  
        Musical Arts 156  
           Music 156  
           Dance 157  
        Comparisons 159  
        Conclusion 160  
        Acknowledgments 160  
        References 161  
     8 Case Studies of Genius: Ordinary Thinking, Extraordinary Outcomes 163  
        Extraordinary Thinking As the Basis for Genius-Level Creativity 164  
           Associative hierarchies and creativity 164  
        Genius-Level Creativity As the Expression of Ordinary Thought Processes 165  
           Components of ordinary thinking 165  
        Continuity with the Past in Creative Thinking 166  
           Learning to be creative 166  
           Learning to be creative: conclusions 168  
           Continuity with the past in creative thinking: antecedents to creative advances 168  
           Continuity with the past in creative thinking: incremental advances 171  
           Continuity in genius-level creativity: conclusions 172  
        Structure in the Creative Process 172  
           Structured thought in Picasso’s development of Guernica 173  
           Antecedents to the structure of Guernica 175  
           The psychological links between Minotauromachy and Guernica 175  
           Structure in creative thinking: conclusions 176  
        Cognitive Components of Creative Thinking: Edison’s Invention of the Light Bulb 176  
           Critical analysis and discontinuity in thinking 178  
           Cognitive processes in creative thinking: conclusions 178  
        External Triggers to Creativity 179  
           Calder’s mobiles 179  
           External triggers in science 180  
           Innovation and external events: conclusions 180  
        The Ordinary Basis for Creative Thinking: Conclusions and Several Remaining Questions 181  
           Implications of the present results for Mednick’s hierarchies 181  
           Questions about expertise as the basis for creativity and genius 183  
        A Final Question: What Then Is the Basis for Genius? 185  
        References 187  
     9 Virtual Genius 190  
        Introduction 190  
        Background 190  
        Definition 191  
        Human Examples of Genius 192  
        Computer Examples of Genius 200  
        More Possibilities 203  
        Conclusions 205  
        References 206  
  Part III Attributes 207  
     10 Varieties of Genius 209  
        Types of Genius 210  
           Creative genius 210  
           Genius of analytical intelligence 215  
           Genius of practical intelligence 216  
           Wisdom-based genius 217  
        Conclusions 221  
        References 221  
     11 Cognitive Disinhibition, Creativity, and Psychopathology 222  
        Creativity and Creative Genius 223  
        Cognitive Disinhibition 224  
        Creativity and Mental Disorders Associated with Disinhibition 226  
           Creativity and psychosis proneness 226  
           Creativity and mood disorders 228  
           Creativity and alcohol abuse 230  
        The Shared Vulnerability Model of Creativity and Psychopathology 231  
           Cognitive disinhibition as a shared vulnerability factor 233  
           High IQ as a protective factor 235  
           Additional shared vulnerability factors 237  
           Additional cognitive protective factors 238  
        Conclusions 239  
        References 240  
     12 Openness to Experience 246  
        Openness and Personality Structure 247  
        Properties of Openness 248  
           Observability 248  
           Universality 248  
           Stability and developmental course 249  
           Heritability 250  
        Conceptualizing Openness 251  
        Case Studies of Personality and Genius 255  
           A mathematical genius 257  
           A musical genius 258  
        Conclusion 261  
        Acknowledgments 262  
        Notes 262  
        References 263  
     13 Political and Military Geniuses: Psychological Profiles and Responses to Stress 268  
        Measuring the Quality of Political and Military Leadership 268  
        Subject Selection in this Chapter 269  
        Measurement at a Distance 270  
        Methodology of the Current Chapter 271  
        Hypotheses of the Current Study 275  
        Method 276  
           Selection and scoring of texts 276  
           Subjects 276  
        Biographies 276  
           Political 276  
           Military 279  
           Both 281  
        Results 283  
           IC 284  
           MI 284  
        Discussion 285  
           Caveat 285  
           TCA findings 285  
           Biographical notes 287  
        Acknowledgments 288  
        Notes 288  
        References 289  
  Part IV Origins 291  
     14 Genetics of Intellectual and Personality Traits Associated with Creative Genius: Could Geniuses Be Cosmobian Dragon Kings? 293  
        Classical Quantitative Genetic Models in Humans 294  
        Intelligence 296  
        Genetic and Environmental Influences on Intelligence 298  
        Personality and Psychopathology 299  
        Genetic and Environmental Influences on Personality and Psychopatholgy 301  
        Genetic Influences on Miscellaneous Traits Relevant to Creative Genius 302  
           Specific measures of creative personality 302  
           Psychological interests 303  
           The Barron–Welsh Art Scale 303  
        Molecular Genetics and Genius 303  
        Emergenesis 304  
        Autism 305  
        An Aside on Distributions 306  
           The not-so-normal normal curve 306  
           Lotka-like distributions 306  
        Are Geniuses Black Swans, Dragon-Kings, or Hopeful Monsters? 307  
           Black swans 307  
           Dragon-kings 307  
           Hopeful monsters 308  
        The Relevance of Dragon-Kings and Hopeful Monsters to Our Understanding of the Emergence of Creative Genius 310  
           Geniuses as statistical dragon-kings 310  
           Geniuses as hopeful monsters 310  
           Geniuses as dragon-kings emerging through cosmobia? 312  
        Note 313  
        References 313  
     15 Child Prodigies and Adult Genius: A Weak Link 321  
        Globally Gifted Children 322  
        Unevenly Gifted Children 324  
        What Does Giftedness in Visual Art and Music Look Like? 325  
           Giftedness in drawing 325  
           Giftedness in music 330  
           Interest in musical sounds 330  
           Musical memory 330  
           Perfect pitch 331  
           Sight-reading 331  
           Musical generativity: ability to transpose, improvise, and compose 331  
        How Much is Innate? 332  
        The Role of Families 333  
        The Social and Emotional Lives of Gifted Children 335  
        Implications for Education and Child Rearing 336  
        Childhood Giftedness and Adult Giftedness: No Straight Trajectory 337  
        References 339  
     16 Creative Genius: A View from the Expert-Performance Approach 345  
        The Traditional View of the Nature of Talent and Creative Genius 347  
        A Review of the Expert-Performance Approach 349  
           Representative tasks: capture of reproducibly superior expert performance 350  
           Analyzing the mechanisms mediating the superior performance 352  
           Toward detailed accounts of the development of mechanisms mediating expert performance 352  
           Developmental stages of expert performance and pre-existing knowledge 355  
           Proposed limits for accounts based on the expert-performance approach 356  
        Toward an Expert-Performance Account of Creative Contributions 359  
           Developmental trajectories for individuals making creative contributions in science and arts 359  
           Capturing the process of generating a particular creative product 361  
           Genius and the motivation and drive for sustained focused activity 365  
        Concluding Remarks 366  
        Acknowledgments 367  
        References 367  
     17 Cognitive Processes and Development of Chess Genius: An Integrative Approach 374  
        Introduction 374  
        Previous Attempts to Explain the Existence of Remarkable Achievements in Young Chess Players 375  
           Deliberate practice 375  
           Criticisms of the deliberate practice framework 376  
           Alternatives to deliberate practice 377  
        In Search of a New Model of the Development of Chess Expertise 379  
        Cognitive Processes Underlying Chess Expertise 380  
           Template theory 380  
           SEARCH model 381  
           PPP and two simpler models 381  
        Mathematical Simulation 385  
           Variables 386  
           Results 388  
           Summary of results 394  
        Conclusions and Future Research 395  
        Notes 396  
        References 396  
     18 Diversifying Experiences in the Development of Genius and their Impact on Creative Cognition 399  
        Correlational Research 401  
           Historiometric research 401  
           Psychometric research 408  
        Experimental Research 411  
           Group creativity 411  
           Individual creativity 412  
        Conclusion and Future Directions 413  
        References 414  
  Part V Trajectories 419  
     19 The Study of Mathematically Precocious Youth at Maturity: Insights into Elements of Genius 421  
        The Study of Mathematically Precocious Youth 422  
        Conceptualizing Talent Development 422  
        Cognitive Abilities 424  
        Interests 431  
           Constellations of attributes 433  
        Conation 435  
        Emergence of Genius 436  
        Concluding Thoughts 439  
        Acknowledgments 440  
        Notes 440  
        References 440  
     20 Age and Scientific Genius 446  
        Introduction 446  
        Basic Life-Cycle Patterns and Classic Views 448  
           The early life cycle 454  
           The middle and late life cycle 455  
           Cross-field comparisons 456  
        The New Literature: Variation over Time and Across Individuals 457  
           Variation over time 457  
           Variation across individuals 461  
           Field differences reconsidered 465  
        Discussion 466  
           Scientific and technological progress 466  
           Demographics 468  
           Science institutions 469  
           New research directions 470  
        Conclusion 470  
        Acknowledgments 471  
        Notes 471  
        References 472  
     21 Musical Creativity over the Lifespan 475  
        Introduction 475  
        Characterizations of Genius 476  
        A Qualitative Sketch of Musical Creativity over the Lifespan 477  
           Formative years 477  
           Compositional maturity 478  
           Late periods 479  
        Methodological Issues 480  
        Theoretical Perspectives on Lifespan Creativity 481  
           Empirical facts 481  
           Expertise acquisition 482  
           Blind variation and selective retention 482  
           Limitations of nomothetic models 483  
           Moving away from nomothetic explanations: a typological approach 485  
           Melodic originality as a lifespan variable 487  
        Some Unresolved Issues and Future Directions 488  
           The nature of eminence 488  
           The individual within the tradition and the fate of traditions 490  
        Conclusion: Wisdom Revisited 491  
        Notes 492  
        References 492  
     22 Literary Geniuses: Their Life, Work, and Death 497  
        The Study of Creative Writers 498  
        What Constitutes Literary Genius? 499  
        Career Trajectories 500  
        The Writer’s Personality, Flow, and Emotions 501  
           Flow 502  
           Emotions 503  
        The Dark Side of Literary Genius 503  
           Drug and alcohol use 505  
        Writers and Death 505  
        Conclusions 506  
        References 507  
     23 Lifetime Biopsychosocial Trajectories of the Terman Gifted Children: Health, Well-Being, and Longevity 512  
        Early Characteristics 513  
        Lifelong Pathways 514  
        Intelligence and School Performance: An Early Life Advantage? 515  
           Career success 516  
           Social skills, social support, and marriage 517  
           Mental adjustment and stressful life events 521  
           Personality 523  
           Retirement, health, and longevity 525  
        Conclusion: Lifelong Cumulative and Interactional Continuity 526  
        References 528  
  Part VI Contexts 533  
     24 Evaluating Excellence in the Arts 535  
        Canons 537  
           One or several canons 539  
           Canons and ideology 540  
           Open and closed canons 540  
           Formation of a canon: How do artists (or works) attain canonical status? 541  
           Stability of the canon 545  
           Circles of a canon 545  
           Canons in practice 546  
        Rankings 547  
           Aggregating ratings or rankings produced by a jury 548  
           Aggregating ratings of properties 549  
           Aggregating ratings or rankings of properties produced by a jury 552  
           Special cases 552  
        Conclusions 552  
        Notes 553  
        References 553  
     25 The Systems Model of Creativity and Its Applications 557  
        A Brief History of the Concept of Creativity 557  
           Early stages 557  
           Creativity as a topic in psychology 559  
        Systems Model of Creativity 561  
        Systems Model of Creativity: Some Research Applications 565  
        Systems Model and Construction of Positive Psychology 565  
        References 568  
     26 Openness to Scientific Innovation 570  
        Introduction 570  
        Planck’s Principle: Age and Receptivity 571  
        A Meta-Analytic Approach to Scientific Innovation 573  
        Heterogeneity of Effects 577  
        Initiators of Scientific Innovations 580  
        Conclusion 583  
        Notes 583  
        References 584  
     27 Prominent Modern Artists: Determinants of Creativity 588  
        Introduction 588  
        Dataset 589  
        Framework of Econometric Analysis 590  
        Location Matters: Peer Effects in the Artistic Clusters of Paris and New York 591  
        Artistic Styles and Implications for Creativity 597  
        Travel as an Inspiration 600  
        Democracy and Creativity 603  
        Conclusion 606  
        Notes 606  
        References 607  
     28 Genius in World Civilization 610  
        Introduction 610  
        The Meta-Inventions 610  
        Temporal and Geographic Distribution of Significant Figures and Events from 800 BCE to 1900 616  
           Temporal distribution 617  
           Geographic distribution 619  
           Are the inventories Eurocentric? 621  
           Testing for Eurocentrism in the STMM inventory 624  
        Conclusion 627  
        Notes 628  
        References 631  
  Part VII Prospects 633  
     29 Does Genius Science Have a Future History? 635  
        Will Empirical and Theoretical Research Continue to Advance? 635  
           Issues still pending resolution 636  
           Methods still needing full exploitation 636  
           Theories still requiring complete development 637  
        Will the Phenomenon of Genius Continue to Exist? 638  
        Will the Science of Genius Ensure the Continued Existence of Genius? 639  
        References 640  
  Appendix 643  
  Index 653  
  Supplemental Images 675  


nach oben


  Mehr zum Inhalt
Kapitelübersicht
Kurzinformation
Inhaltsverzeichnis
Leseprobe
Blick ins Buch
Fragen zu eBooks?

  Medientyp
  eBooks
  Audiobooks
  eJournal
  alle

  Navigation
Belletristik / Romane
Computer
Geschichte
Kultur
Medizin / Gesundheit
Philosophie / Religion
Politik
Psychologie / Pädagogik
Ratgeber
Recht
Reise / Hobbys
Sexualität / Erotik
Technik / Wissen
Wirtschaft

© 2008-2024 ciando GmbH | Impressum | Kontakt | F.A.Q. | Datenschutz